lavinia fontana autoportrait

Also, because this portrait would be presented next to Sophonisba’s, Fontana most likely attempted to keep up with or even outdo her contemporary. which could be re-hosted? After marrying Paolo Zappi, she gave birth to 11 children and moved to Rome in 1603. For more information, see Liana De Girolami Cheney, et. I certainly feel that way. musical notation) to Lavinia, which ultimately stresses Lavinia’s education as one who can read music? Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. I assumed that she is bringing music for Lavinia to play. As I have been writing this post and thinking about Fontana, I’ve come to a realization as to why I am drawn to female self-portraits. Lavinia Fontana was an Italian painting who was known as the first female painter to paint female nudes. While this portrait is an obvious reference to her artistic career, Fontana still had to keep in mind her appearance for the public eye. Thank you for your citation and information. I believe it correct that your brother, Hasan Niyazi, owned a web site called 3pipe.net. 1 Catherine King, “Italian Artists in Search of Virtue, Fame, and Honour c. 1450-c.1650,” in The Changing Status of the Artist, eds. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. (3). Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Biographie. Fontana’s earliest self-portrait is quite unique, since it was created as a marriage portrait. Hello Monica, Note … Although I don’t feel that I experience the same difficulties as women in the Renaissance period, I experience an element of self-awareness when I need to portray myself (either visually or in writing). Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). Thank you for making the corrections. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? In addition, Fontana is interested in suggesting her wealth; she depicts herself in lavish clothing and she is sitting in an armchair (poor people owned only stools at this time).7. Your email address will not be published. -Self Portraits-   -Noblewomen-   -Gozzadini Family Portrait-   -Tognina Gonzales-   -Extended Bibliography-    http://www.squinchpix.com Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. 19.1 (1998): 3-8. Lavinia Fontana. Or maybe improving an existing one? She was one of the first women to execute large, publicly commissioned figure paintings. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. See also Babette Bohn, “Female Self-Portraiture in Early Modern Bologna,” in Renaissance Studies 18, no. Biography. Self Portrait in the Studiolo was painted for Alfonso Ciacon in 1579. Hello Llana! Currently, the content of Hasan’s blog is no longer online, although I hope that will change in the near future. Vintage Mickey Art Although I appreciate your writing on Lavinia Fontana. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Quand elle épouse, en 1557, le peintre Gian Paolo Zappi, son talent est déjà reconnu et elle réalise les portraits de notables de Bologne. 401. See Liana De Girolami Cheney, et. Her face, which looks forward openly, has strong features and clear skin. (20) Her confidence and use of male statuettes “re-defines the feminine” and confronts taboos. Whether she is preparing to write or draw is not evident, but this ambiguity portrays her as artistic, intellectual and creative all at the same time. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Also, this uncertainty protected her from the “perception, inherited from her father, of the greater regard for scholars than for artists in Bologna.” (19) She is shown in a position which sends the message that she is inspired by both intellectual and creative activity. Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. It’s nice to hear from another art historian who loves Lavinia Fontana! . While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. Renaud Camus has uploaded 25646 photos to Flickr. Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi mais aussi Virginia Vezzi, Orsola Maddalena Caccia, Giovanna Garzoni… Nombreuses sont donc les femmes peintres à s’être frayé un chemin au cœur de l’effervescence artistique et culturelle de la Renaissance ! Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Murphy says, “a love knot has been placed on the keyboard, which could also point to a context of betrothal. We do not wish to appropriate his content; merely to see his Lavinia Fontana, (born 1552, Bologna [Italy]—died August 11, 1614, Rome), Italian painter of the Mannerist school and one of the most important portraitists in Bologna during the late 16th century. Son père est peintre de la contre-réforme très en vogue auprès des papes. 2012. Lavinia Fontana’s Self-Portrait and Gender Lavinia Fontana, Self Portrait In a Tondo, 1579 Lavinia Fontana’s self-portrait from 1579 has long been of interest to me. Auto-portrait à l’épinette, Lavinia Fontana, huile sur toile, 1577, Rome, Accademia Nazionale di San Luca . Son autoportrait (Autoportrait au clavicorde, accompagnée de sa servante)et qui date de 1577 ou 78, elle a 25 ans, nous montre en plus qu'elle est belle et qu'elle est musicienne ! This month marks one year since my friend Hasan Niyazi, blogger from Three Pipe Problem, unexpectedly passed away. “Female Self-portraiture in early modern Bologna.” Renaissance Studies. I will let you know if anything comes of it. Lavinia Fontana’s Self Portrait at the Keyboard of 1577 Self Portrait in the Studiolo, 1579 Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. (16) He owned what he called a museo, which in essence, was a gallery of five hundred illustrious women and men of the time. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. bobconsoli@gmail.com. This painting, Self-Portrait at the Spinet (also called Self-Portrait at the Keyboard) was made in 1577 for Fontana’s future father-in-law, Severo Zappi.2 I think Fontana felt some pressure at this time, since she was marrying into a family which held a higher social status than her own.3 One senses that Fontana felt a need to emphasize her wealth and status by observing various elements in her painting: her lavish clothing, jewels, and a servant in the background. I have written the following e-mail to Hasret Celalettin of Latrobe University in Australia. In addition, her knowledge and learning are emphasized by the fact that she includes a Latin inscription in the upper corner of the canvas. reffga@goldmail.etsu.edu, Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! 5 is Lavinia Fontana : le triomphe au féminin Un nouveau pas en avant s’accomplit sous le pinceau de Lavinia Fontana (1552–1614). Lavinia Fontana pose le problème des femmes Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. Her family relied on her career as a painter, and her husband served as her agent and rai… (10). . As with the marriage portrait, Fontana opts to emphasize her learning and wealth. I’ve never considered the role of the servant very much, beyond how she functions as a symbol of status. The inscription behind Fontana reads, “Lavinia Virgo Prosperi Fontane/Filla Ex Speculo Imaginem/Oris Sui Expressit Anno/MDLXXVII” or “Lavinia the Virgin Daughter of Prospero Fontana depicted herself from a mirror in the year 1577.” (5) Descrbing herself as a virgin was particularly important to Fontana here, as this “a marriage portrait where her chastity was an essential quality in her recommendation as a wife.” (6) The reference in the inscription to a mirror indicates, perhaps, her honesty in her portrayal of self, but may also allude to the art of self-portraiture. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre [2]. My very best wishes to you and please accept my condolences on your loss, Robert H. Consoli Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. As an art historian who is interested in female artists, I am particularly intrigued by the way that Lavinia Fontana chose to depict herself in self-portraits. Follow the links above for analysis and research on specific paintings. Perhaps his content could be displayed again on his web site he definitely had very good insights into western art from which a much larger community 24 sept. 2020 - Explorez le tableau « Lavinia FONTANA ( 1552 - 1614 ) » de CLODROCK, auquel 150 utilisateurs de Pinterest sont abonnés. Lavinia Fontana (Bologne 1552 – Rome 1614) Vénus et l’amour 1592, Huile sur toile l Dépôt de l’Etat, 1874 l Inv. Lavinia Fontana fut la première femme à disposer officiellement d’un atelier. She has strong posture and her eyes gaze directly forward to the viewer. Web. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. Renaud Camus has uploaded 26082 photos to Flickr. That might have been acceptable to van Gogh, but almost every other artist wanted acceptance, admiration and a steady income stream. 28 déc. Discover (and save!) For instance, my mother and women of her generation still signed their names as Mrs. Husband’s Name, as if they were subsumed by their marriage. A la différence de sa consoeur ainée, spécialisée dans les portraits, elle exécutait des grandes commandes publiques aux sujets mythologiques et … 4 King, p. 67. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . (11) While there is no evidence that Fontana actually played a musical instrument, her choice to include the keyboard “elevated herself from dilettante to professional… from one who practices a craft to someone with skills equal to that of the musician, poet, writer, and philosopher.” (12) This helped, too, with elevating her social and economic status in Renaissance society. Our embroidery kit…. Mr. Niyazi was a gifted art historian and researcher and made many contributions to the Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 1 Kemp, Martin, ed. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. 40. 244. À 25 ans, en 1577, Lavinia Fontana épouse un peintre mineur Gian Paolo Zappi d'Imola, qui arrête sa carrière pour devenir son assistant. Jun 20, 2018 - This Pin was discovered by Emily Aqualime. (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630s, Royal Collection. Lavinia Fontana (née en 1552 à Bologne, morte en 1614 à Rome) est issue d’une famille bolonaise. I wrote about this painting on a guest post at Three Pipe Problem a few years ago, and I regularly use this self-portrait when I discuss Renaissance art with my students. This site focuses on her portraits. 2012. If Mr. Niyazi was some pedestrian blogger I would not bother but Lavinia Fontana: Liste d'œuvres - Toutes les œuvres par date 1→10. Explore. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Therefore, painting is to be preferred to all other occupations.” (1), Throughout the Renaissance, artists struggled with how to maintain a social and intellectual status through their profession. Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. (A nineteenth century engraving of Fontana’s painting is helpful in seeing these details.) She was the first woman artist to paint female nudes, and possibly the first female to … She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco.Fue una de las pintoras más importantes de su época, dirigió su propio taller [1] y fue pintora oficial de la corte del papa Clemente VIII.. Teised eraldusvõimed: 210 × 240 pikslit | 419 × 480 pikslit | 671 × 768 pikslit | 895 × 1024 pikslit | 4829 × 5527 pikslit. (17) Ciacon knew of Fontana’s work and requested she send him “a little portrait of yourself… which can then accompany that of Sophonisba which shall thus be seen and looked at and recognized by everyone as it shall be made into a print among those five hundred illustrious men and women which shall be engraved in copper at the expense of his Grace the Archduke Ferdinand of Austria.” (18). Après son père, son mari lui trouve ses commanditaires, diffuse et vend ses œuvres. Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. (7), The musical instrument itself is a symbol both of love and financial status. Art. The red knot is also discussed in Caroline P. Murphy, Lavinia Fontana: A Painter and her Patrons in Sixteenth-century Bologna (New Haven and London, 2003), 41–3. Required fields are marked *, You may use these HTML tags and attributes:

. “Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture.” History Workshop. Renaud Camus has uploaded 25646 photos to Flickr. She continued on to create devotional pieces in larger scale and was successful until her death in 1614 at the age of 62. incorrect it was not Bohn, but I, who was the first scholar to observe, associate, and published on the red knot on the clavichord as a symbol of love. Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s Self-Portrait from c. 1555, in which she modestly covers herself with a mirror (which she protectively places in front of her body like a shield). Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter. Dear Ms. Celalettin, Do you, by chance, have any ideas? (14) It is clear that the portrait was influenced by Sofonisba Anguissola’s own Self Portrait Making Music with a Maidservent from 1561, but has also been compared to several other portraits of women at the keyboard. In fact, the painting could be viewed in its entirety as a love knot– as a gift for the bethrothed.” (8) The expensive musical instrument suggests, perhaps falsely, that the Fontana family is financially stable, if not downright wealthy. Lovely tribute, I hope Hasan’s blog comes back online at some point! Lavinia FONTANA, "L'homme sauvage" Histoire & Image, L2 Histoire Lyon Nous traiterons ici, à partir du portrait de Tognina Gonsalvus peint par Lavinia Fontana, de la vie de l'artiste et de la signification du tableau, aussi en le replaçant dans une plus large perspective des représentations de ces raretés de la nature, mi-hommes mi-animaux, dont l'iconographie est remplie à l'époque moderne. Her earliest known work, "Child of the Monkey", was painted in 1575 at the age of 23. Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. This portrait is a tondo painted on copper (1579) and was created expressly for placement in a collection. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? In the portrait she sent Ciacon, Fontana is seated at a desk with books, statues and paper in front of her. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. An email notification will be sent whenever a new post appears on this site. Fontana (Jean), né à Mili près de Côme en 1540, mort en 1614, fut un des architectes de l'église de Saint-Pierre de Rome, mais excella surtout dans l'hydraulique. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. all, Lavinia Fontana’s ‘Self-Portrait’ and Gender.”, RT @geminicat7: ✨ Until tomorrow ... Emma Barker, Nick Webb, and Kim Woods (London: Yale University Press, 1999), 72-74. Autoportrait dans l’atelier (1579) Huile sur cuivre, diamètre 16 cm, Galerie des Offices, Florence. Unsurprisingly, virginity was highly desired by prospective husbands at the time, but I think that Fontana mentions her virginity to fit further societal expectations. Pour les articles homonymes, voir Fontana. Hi Dilshat! ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Fontana’s dress, “with its slashed sleeves, her huge lace collar and heavy gold cross… ensure her appearance as a gentildonna, and thereby could reflect a social parity with Anguissola.” (22) The dress is on par with that of her outfit in her Self Portrait at the Keyboard, but more truly reflects the artist’s passions and career. Autoportrait. Washington: DC: New Academia, 2009). Later, it is believed that Fontana referenced herself in two more paintings: as Judith in Judith with the Head of Holofernes in 1600 and in a Madonna and Child with Five Saints from 1601, where she is portrayed as St. Barbara. 1) ou encore Artemisia Gentileschi15 qui se représentent en musiciennes. L’artiste se dépeint donc non pas comme telle mais exerçant une autre Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. Los Angeles County Museum of Art, Los Angeles, CA. Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. Artemisia Gentileschi , Autoportrait comme allégorie de la peinture , années 1630, Collection royale . As Catherine King points out that in terms of self-portraiture, “the act of showing oneself to another was very different for a young woman than it was for a young man.”4 Hence, female artists needed to be careful in how they presented themselves in portraits. Previously, in 1998, I presented a lecture to an international symposium at the National Museum of Women in the Arts, Washington, D.C. (May 9, 1998) on “Lavinia Fontana’s Self-Portraits,”where I unveiled this symbolism. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? 5 Bohn, 254. Mar 27, 2016 - Lavinia FONTANA, Portrait d’homme assis feuilletant un livre, dit Portrait du sénateur Orsini.JPG (13) Since, “the ‘emblematic significance’ of dress made possible the visible marking out of one’s parental and marital identity,” her clothing choice seems skillfully chosen. She was born in Bologna, the daughter of Prospero Fontana, who was a painter of the School of Bologna. erudition on display again for those who knew him and for those who have yet to come into The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. There are five self-portraits by Lavinia Fontana that are known: four paintings and one drawing. Renaud Camus has uploaded 25965 photos to Flickr. (21). Voir plus d'idées sur le thème peintres italiens, femme peintre, mode renaissance. Rather painting endures… Painting satisfying the sense of sight is more noble than music which only satisfies hearing. 5 Bohn, 254. Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … New Haven: Yale University Press, 2003. Not only is she wearing modest clothing, but she further emphasizes her respectability by stating that she is married. 17 King, Catherine. Voir plus d'idées sur … ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. This might account for why the musical pages are tilted up at an angle, so they can be easily seen by the viewer. I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. The placement of a maidservant behind her, along with her richly colored wardrobe also helped to convey Fontana as financially stable. On the other hand, the musical instrument also indicates an awareness of the relationship between musical talent and artistic capability. 1600. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? “Lavinia Fontana’s “Self-Portrait Making Music’.” Woman’s Art Journal. Lavinia Fontana, The Holy Family with Saint Catherine of Alexandria, 1581. We have learned that his web site has now been taken down and the Biography Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! Print. I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. He is sorely missed. If you are interested in seeing information about the remaining three self-portraits which are not discussed in this post, see article by Bohn. Excellent post, which I didn’t see the first time. ), musée du château d'Udine, Frioul-Vénétie julienne, vendredi 26 août 2011, Explore Renaud Camus' photos on Flickr. Lavinia Fontana, Autoportrait (1588) Une autre artiste (re)connue s’adonne aux autoportraits délégués : Lavinia Fontana. Ms. Celalettin has written back to me just now and this is what she has to say: Thank you for reaching out to me and for the condolances, Hasan Niyazi is my brother. She is one of my favourites! For more information, see Liana De Girolami Cheney, et. 4 Jul. Find more prominent … Your footnote no. Please note: JavaScript is required to post comments. your own Pins on Pinterest There, she thrived again with the upperclass and formed strong bonds with many noblewomen in her district. L'attention qu'elle porte au détail rappelle le travail d'une autre représentante de la Renaissance originair… Lavina Fontana naît le 24 août 1552 à Bologne. She was a skilled portraitist and was often commissioned by weathly members of the Bolognese elite to create portraits to commemorate influential moments in their lives. Influenced by painters such as Ludovico Carracci and Sofonisba Anguissola and a practicer of Italian mannerist style, Fontana became highly successful with her detailed and delicate portraits. 25. 11 McIver, Katherine. I appreciate your taking the time to let me know. (1988): 4-30. My problem is that it is difficult for us to establish what the artist’s true values were. Renaud Camus has uploaded 26082 photos to Flickr. Renaud Camus has uploaded 25965 photos to Flickr. Sep 23, 2020 - Lavinia Fontana – Self-portrait at the clavichord with maid-servant [1577] Selbstportrait am Clavichord mit Dienerin [1577] Rom, Accademia di San Luca Lavinia Fontana’s portrait of Antonietta Gonzalez c. 1595. Fontana's innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart, Sofonisba … Thank you for this interesting post about Fontana’s self-portraits. Re your note that Fontana was careful in how she had presented herself, in order to meet societal expectations. charges. Lavinia Fontana. Of course, she marks the high status of Lavinia, but what exactly is she doing with musical sheets? Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. Vers la fin des années 1570, la jeune fille se fait connaître dans la ville par ses portraits, notamment l'Autoportrait au clavecin (1577, académie de Saint-Luc à Rome) et le très formaliste Famille Gozzadini (1584, pinacothèque de Bologne). Thank you for your comment. Lavinia Fontana va juste après Sofonisba Anquissola dans la liste des célèbres peintres de l´époque de la Renaissance. I’m sure that I could be responsible for any reasonable hosting Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. Lavinia Fontana (Bolonia, bautizada el 24 de agosto de 1552-Roma, 11 de agosto de 1614) fue una pintora italiana del primer barroco. Nov 26, 2018 - Explore Gordana Kotur's board "lavinia fontana" on Pinterest. Fontana presents herself as a confident and fairly attractive woman. I too, am very keen for his blog to be back online for educational purposes and for those who just wish to admire his work. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. New Haven: Yale University, 1989, 35-37. all,Self -Portraits of Women Painters. Lavinia Fontana, Autoportrait au Clavicorde avec un serviteur, 1577. Antonietta Gonzalez (as well as her father, two sisters and other family members) had hypertrichosis (also … Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. See more ideas about fontana, female artists, portrait. 2014 - Découvrez le tableau "Lavinia Fontana" de Mori Mori sur Pinterest. 2018 - Explorez le tableau « Lavinia Fontana » de Dieu Dorian, auquel 324 utilisateurs de Pinterest sont abonnés. Lavinia Fontana. Washington: DC: New Academia, 2009). contact with his thought. (23) Still, historians and critics look to Self Portrait at the Keyboard and Self Portrait in the Studiolo as the primary self portraits of a woman who may have been the most talented professional woman portrait painter in Bologna. I’ve included that citation in the footnote and updated it accordingly.

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